By Dwight Hobbes
Shá Cage has emerged as one of the Twin Cities’ most powerful proponents for strengthening the image and celebrating the hearts and souls of Black women. The accomplished actor, performance artist and spoken-wordsmith began this initiative in the late ‘90s, co-founding the still regrettably unsung MaMA mOsAiC, Minnesota’s first ensemble of color projecting women’s consciousness. Cage reflects, in an MSR interview of few years back, “Signe Harriday, Jeany Park and I founded [it], which was the beginning of my professional career as one who creates theatre for, by and about women and aimed at employing women behind the scenes.”
These days, lauded by no less a personage than Cornel West as “inspiring and evocative,” there is nothing unsung about anything she does from projecting consciousness to heading up the internationally renowned Minnesota Spoken Word Association with husband e.g. bailey, a venerated artist in his own right; to acting at prestigious venues like Mixed Blood Theatre, Intermedia Arts and, currently, Park Square, where she continues her commitment in the cast of Tazewell Thompson’s Mary T. & Lizzy K.
Mary T. & Lizzy K. looks at the friendship between Abraham Lincoln’s wife and her seamstress, Elizabeth Hobbs Keckly, a freed slave who, it turns out, did a great deal more in life than put pretty clothes on Mary Todd Lincoln. Shá Cage plays Elizabeth Keckly. Asked what she finds most rewarding about portraying Keckly, she says, “I appreciate that this plays makes room for [her] story to be told. Continue Reading →