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Shá Cage solo theatrical debut examines the N word through women’s eyes


In Twin Cities spoken word, a field glutted with grandstanding hacks, gifted veteran Shá  Cage is an exception that proves the proverbial rule. Nine out of 10 alleged artists are antagonistic, interminably posturing, self-congratulatory frauds who expect a standing ovation for breathing while Black, substituting a lousy attitude for having something to say. Cage, with her album Amber People (Tru Ruts/Speakeasy Records) and scores of guest appearances throughout Minneapolis and St. Paul, not to mention internationally from Africa to Europe to England and elsewhere, refreshingly deals in authenticity, a sure hand for the craft and messages of self-empowerment. Accordingly, her solo debut, N.I.G.G.E.R., was a welcome premiere at Intermedia Arts (March 7 – 10), ably directed by e. g. bailey, her husband and partner at Minnesota Spoken Word Association and Tru Ruts Endeavors, and enjoyed a sold-out run. Continue Reading →

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