By Junauda Petrus
It was a glimpse into a world nearly lost. But the rituals, the traditions, the passed down legacies and teachings from ancestors were still evident in his being. Ahmed Said Abuamna, from Otaak Band, sang as though the music was shooting up from the ground through him, his voice sounding transcendent of earthliness. Watching the smooth and effortless way in which movements flowed from Abuamna’s limbs and in the way songs poured seemingly unencumbered from his soul at the January 29th performance at the Cedar Cultural Center, became a reminder of the importance of keeping a people’s culture and traditions alive. Otaak Band is the collaboration of Abuamna who hails from Eastern Sudan, and Miguel Merino, a percussionist from Indiana. Continue Reading →
By Charles Hallman
According to www.whosampled.com, Billy Cobham’s music has been sampled over 40 times, including two signature songs “Red Baron” (sampled eight times) and “Heather” (sampled 15 times) first released during the 1970s. A founding member of the Mahavishnu Orchestra in 1971, Cobham co-founded his own fusion group in 1969, and then was invited to play on four cuts on Miles Davis’ Bitches Brew. At age 69, he’s still as strong as ever: Cobham’s current Spectrum 40 tour swings through Minneapolis on October 1 for a one-night stop at the downtown Dakota Jazz Club. “It will be a real pleasure to perform there,” he said during a recent phone interview with the MSR.
On his website, www.billycobham.com, it says that the Panama native, who grew up in New York, got his “first paying gig” when he was only eight years old, then later joined a local drum and bugle corps and attended New York’s famed High School of Music and Art — where he studied music theory and drum technique. “I started on the road in 63,” recalls Cobham, who later played in the U.S. Army Band as a percussionist during his three years of military service in the mid-1960s. Continue Reading →