Although the 77-year-old Clinton, after a 50-plus career, is pulling the curtain on road shows, Parliament-Funkadelic will presumably continue to tour and Clinton’s immeasurable influence will live on. “Truth be told,” Clinton told Billboard, “It’s never really been about me. It’s always been about the music and the band. That’s the real P-Funk legacy. They’ll still be funkin’ long after I stop.”
Local and national stories, reviews, and information highlighting African American music and artists.
Many of us are familiar with Prince-penned hits recorded by Chaka Khan, Stephanie Mills, Stevie Nicks, Patti LaBelle, and Sheena Easton, among numerous others. Plus, all the notable tracks he wrote for other veterans of the Minneapolis Sound, including The Time, André Cymone, Vanity 6, and Sheila E. But did you know he also wrote for the likes of Joe Cocker, Kenny Rogers, Celine Dion, and Candy Dulfer?
“I want people to really value what it is that I’m trying to do because it takes a lot of time. It’s not about the money. It is about the love, but it’s more about the appreciation,” said DeCole.
Anyone who takes the time to speak to artist RajiTheOne will find out quickly that he has a plan at hand, and nobody believes in him as much as he does. Born Jamal Rogers, the Chicago-born, and Minnesota-based artist paid his dues in the music game for nearly a decade in various capacities. Years later, […]
Free, who modeled much of his early image after Prince and ultimately became a guitar guru himself, informed Chazz that since Prince didn’t need to practice, he didn’t feel he had to either. Chazz replied by letting Free know he had it all wrong, “Prince practices all the time.”
Mellow maestro, smooth jazz keyboardist-producer Wenso Ashby’s new album is Artistry, paying homage to, among other jazz masters, Joe Sample and Duke Ellington.
Even when the band leader changes key in the middle of a song — something he does from time to time — the solos are sweet to the point that two other guys at my table go to the amen corner, calling “Look out!,” and “Don’t hurt nobody!” and such.
Over the past few decades, we’ve seen a similar dynamic with rap music. While some have attempted to silence rap because of its raw portrayal of life in inner-city communities, people increasingly see its value. Like slave narratives, rap music has given an authentic and candid voice to the voiceless.
As fate would have it, however, the month of June also happens to be Black Music Month, which by a bit of cosmic irony was first declared by President Jimmy Carter on June 7, 1979, Prince’s 21st birthday.
So in recognition of the 39th anniversary of Black Music Month, let us use make full use of this column’s chief purpose and honor of —if not the — greatest musicians of all time: Minnesota’s favorite son, Prince.
Minneapolis-based choral organization VocalEssence has recently unveiled the musical offerings for its jubilee 50th season.