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July 11, 2020
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Author:
Dwight Brown
‘The Last Tree’ chronicles a foster child’s identity crisis
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Tracee Ellis Ross is ready for center stage with ‘The High Note’
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‘Bad Boys For Life’: still a fun ride
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The best films of 2019
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New wave of black films crests at 2019 Toronto International Film Festival
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‘The Intruder’: creepy, but predictable
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Best films of 2018
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‘Amazing Grace’: a compelling look behind an Aretha Franklin classic
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‘The Hate U Give’ lacks grit but has its moments
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REVIEW: Marvel’s ‘Black Panther’ is near perfect
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