
Steve Wonderโs masterpiece Songs in the Key of Life proved every bit worthy of a tour some 39 years after its release at the Target Center in Minneapolis, Sunday, March 29. It wasnโt on my bucket list, but if I had one, Sundayโs experience would easily qualify for check-off status.
Wonder pretty much stuck to the iconic albumโs original song order during the Twin Citiesโ tour stop, his first time performing here since 1988. The show kicked off about 20 minutes after the 8 pm scheduled start, and concluded with a standing ovation around midnight. Itโs hard to imagine anyone leaving unsatisfied.
Wonder began with the stirring โLoveโs In Need of Love Todayโ and โHave A Talk With God,โ which featured R&B singer-songwriter India.Arie, who was just a year old when โSongsโ was released. His later second duet with her on โSaturnโ was excellent, as well โ she came on stage wearing a striped gown with a yellow train that seemingly matched the songโs lyrics of a futuristic utopian society. When he got to his better known songs, such as โSir Dukeโ and โI Wish,โ everybody was up on their feet.
Wonder and his 20-plus musicians and backup singers also did โa little jam sessionโ featuring Nathan Watts on bass and Greg Phillinganes on keyboard, both of whom were among the 130 musicians who played on the original recording. โWe love to improviseโฆwhether itโs jazz, hip hop, country, whatever. We love to jam,โ Wonder proudly exclaimed.
The second half after intermission was equally good, with โIsnโt She Lovely,โ โJoy Inside My Tears,โ โBlack Man,โ and a second medley featuring India.Arie in between. Wonder also paid tribute to the late Dorothy Ashby, who played the harp on โIf Itโs Magic,โ by playing the original recording while he sang and played harmonica on stage. โAs,โ my personal favorite, was next, with โAnother Starโ closing the set.
Songs in the Key of Life was Wonderโs first double album and his first recording since he signed a new seven-year record deal that included first-ever full artistic control. The album debuted at number one in both the U.S. and Canada in the fall of 1976, and was later named by the Library of Congress as โculturally, historically or aesthetically significant.โ

I wasnโt a big Wonder fan growing up but Talking Book, Wonderโs 15th album, prompted me to buy a bootleg version of the album on cassette in the summer of 1973. Later that year, I added a Wonder trilogy โ โBook,โ Innervisions, and Music of My Mind to my growing record collection as a college freshman. Then came โSongsโ during my senior year, which I bought along with Earth, Wind and Fireโs Spirit. Letโs just say that by Monday, I still hadnโt cracked the cellophane seal on EWF โ I โbinge-listenedโ to Wonder the entire weekend. Nearly four decades later, I couldnโt pass up the opportunity to attend my first Stevie Wonder concert.
Songs in the Key of Life is rich in topics and emotions. Itโs in part political (โVillage Ghetto Landโ), autobiographical (โIsnโt She Lovely,โ โI Wish,โ โJoy Inside My Tearsโ), idealistic (โSaturnโ) and religious (โHave a Talk With God,โ โPast-time Paradiseโ). On Sunday, Wonder played all these and more, virtually staying on script. As the album unfolded live, I was quietly transported back to my old dorm room like it was my first time hearing it.
The only disappointment was โOrdinary Pain,โ a โhe said, she-saidโ song telling two sides of a failed relationship. It was way too loud inside the big box downtown arena, causing me pain. Plus, the three backup singers didnโt quite do the late Minnie Riperton and Deniece Williams, who sang the original โsheโ parts, justice.
The MSR talked to several fans before and after the concert, and during intermission: โItโs a dream come true,โ admitted Telina Fleming of Fridley, who also was attending her first Stevie Wonder concert.
โWeโre excited. Thatโs why we got here early,โ added Andrea Rice of Minneapolis. Her husband Zachary recalled, โIโve seen him in 1967 with [my] mom and dad in a theatre in Washington, D.C. I was 10 [or] 11 years old. He was Little Stevie Wonder then.โ
โThis was a birthday gift from my husband,โ noted Angela Jackson of Woodbury. โHeโs probably my all-time favorite artist,โ added her husband Steve.
Robin Gonzales said attending Sundayโs concert is now a check off her bucket list. Her husband, Rev. Michael Gonzales said he hoped the concert would help โbring back the memories of the things you were doingโ back then.
Even after over two hours on stage, Wonder, who will turn 65 this May, still seemed spry and playful, chiding the near-sellout crowd that if they wanted him to stay, they had to call him โDJ Tick Tick Boom.โ The crowd played along, which sent Wonder into mix mode with a teasing sampling of other hits: โPart Time Lover,โ โLiving For The City,โ โHigher Groundโ and โDo I Do,โ before he finally broke out with โSuperstitionโ to exit the stage, leaving the audience hoping against hope that he might do a second encore.
Janet Slack and her daughter Kendra Kaywood thoroughly enjoyed the concert โ it was Kaywoodโs birthday, and both mother and daughter rarely sat throughout Wonderโs show. โI was raised on (vinyl) records and [โSongsโ] was always played,โ recalled Kaywood during the intermission, adding that it was special to share the evening with her mother. โI broke my phone from clapping so hard,โ admitted Kaywood, smiling.
โStevie Wonder is iconic and Iโm glad I got to see him in my lifetime,โ added Sandy Johnson from Minneapolis.
Wonder promised heโd try to come back, perhaps at Christmastime, to do a couple of shows in the Twin Cities. Whether he does or not, he left those in attendance Sunday โ including this reporter โ with lasting memories.
Charles Hallman welcomes reader responses to challman@spokesman-recorder.com.
Before Wonderโs show at the Target Center, he stopped by New Salem Missionary Baptist Church in North Minneapolis (and the Wedge Co-op in South Minneapolis), where he wowed the congregation with a song. See video footage of his visit to New Salem here. Find more concert photos in our photo gallery below:



