Enjoying an enviable career that began at an early age, Meagan Good has blossomed into one of Hollywood’s most in-demand actresses for both big screen and television projects. The accomplished thespian was recently seen in A Girl Like Grace, a coming-of-age film which she also co-produced.
Last year, Meagan reprised the role of Mya in Think Like a Man Too, the sequel to Think Like a Man, the smash hit based on the best-selling book by Steve Harvey. She also was featured in Anchorman: The Legend Continues, the sequel to the blockbuster starring Will Ferrell.
Back in 1998, Meagan landed her first NAACP Image Award nomination for playing the character Cicely in the ethereal drama Eve’s Bayou. Her additional film credits include The Unborn, The Love Guru, Jumping the Broom, Stomp the Yard, Brick, You Got Served, D.E.B.S, Waist Deep, Biker Boyz, Deliver Us From Eva and Saw V.
Meagan, who began starring in commercials at the age of four, has appeared in more than 60 national television ads. Her first major television role was the character of Nina on the TV-series Cousin Skeeter. And in 2001, she landed a recurring role on Raising Dad. Her other television shows include Deception, Californication, Moesha, The Steve Harvey Show, The Division, The Parent ’Hood, My Wife & Kids and All of Us.
Meagan resides in Los Angeles with her husband, former studio executive DeVon Franklin, a versatile talent in his own right who is now an author, producer, preacher and motivational speaker. Here, she talks about playing Detective Lara Vega on the new TV series Minority Report.
Kam Williams (KW): What interested you in Minority Report?
Meagan Good (MG): Oh, man! What didn’t? [Chuckles]
KW: Is this your first sci-fi?
MG: Yeah, this is, like, my first real sci-fi. It’s funny, because my prayer last year was that I really wanted to do some comedy and some sci-fi. I was trying to be patient and wait for the right project. The pilot season was ending, and I had some other opportunities I passed on which weren’t quite right. And then, just at the last minute, Minority Report came through.
Of course, I was already a fan of the film. As soon as I read the script and saw what the take was, and how they chose to maintain the continuity with the movie, except that they changed the point of view. Now, the story’s being told from the perspective of the twin brothers [played by Stark Sands and Nick Zano]. So, it’s new and fresh, yet staying true to the original for the fan base already familiar with the film.
Also, I just fell in love with my character. Vega is the type of woman who just lives for her business like the air that she breathes. She really cares, but she’s also strong and knows that she can take care of herself and make a difference, and that’s what drives her.
KW: What is the most challenging aspect of doing a sci-fi series?
MG: The biggest challenge, in the very beginning, was the choreography, like with the hand movements, because there’s a lot of virtual reality shots where I see something in front of me or in my line of sight that’s not really there. So, I have to picture it, imagine it, and interact with it. A lot of times, Vega will lay the crime scene out in front of her, and then re-enact the crime from either the victim or the murderer’s perspective. She has to live in it while interacting with it, and I have to visualize it, since it’s not actually there. And all my choreography has to match what’s going on. That was hard the first time I did it, but after I watched it, I was super impressed. That gave me enough confidence to just trust my instinct moving forward as far as collaborating with the geniuses who put it all together.
KW: Is there anyone that you’re basing Detective Vega on?
MG: My stepmother, actually. My father was in the LAPD for 26 years, and his wife is also in law enforcement. She started very young, when she was about 23. So, I called her up and asked, “What was your motivation to get into such a hardcore profession where you know your life is potentially in danger on a daily basis? And what would make someone want to enter the department so young?”
For her, it was a matter of wanting to make the world a better place. And playing her role, and having passion and compassion and empathy. She also talked about how you can’t really show your emotions on the job. You have to find ways to be invested, while remaining emotionally disconnected and thinking of the bigger picture. So, there are all these layers to what motivated her, and I based Vega on a lot of that.
KW: Interesting! Steven Spielberg directed the film version of Minority Report. To what extent is he involved in this TV project?
MG: He’s the producer. Once he saw the finished product, he came aboard as executive producer. He’s been hands-on with the scripts. He literally handpicked every actor. He had to sign off on everybody they brought to the table. And he’s involved with the creation of the inventions. He’s very much a part of every aspect of the process. For me, that’s crazy exciting. Before I was signed, they said, “Steven Spielberg’s watching your tape. We’ll let you know what he thinks.” When I got the job, I went, “What? Steven Spielberg thinks I’m a good actress?”
KW: How has it been working with the other members of the cast?
MG: It’s been amazing. We’re all very fortunate. Wilmer [Valderrama], I’ve probably known for 15 years… Li Li’s incredible! She so sweet… Meeting Laura [Regan]… Me and Stark -Sands] hit it off immediately…
The chemistry’s great. Everyone just gets along… Nick [Zano] is hilarious. He’s like the jokester. Daniel’s [London] incredible. It’s just a really great group of people who really connect.
And we actually spend time with each other off set. Whoever’s not working, it’s like, “What’re you doing? Let’s eat. Do you want to grab something at a restaurant? Let’s get together online.” We’re really a family, and it’s very exciting to connect with everyone like that.
KW: In what direction is the series going to go?
MG: I don’t know exactly everything the producers have planned. So far, we’re kind of teeter-tottering between episodes two and five. The common thread that’s been developed is that they’ll be a murder victim or a murderer that the twins will have a vision about. Besides that, we’re exploring each one of these character’s lives, and finding out how they got to the point where they are now. What led them here from the very beginning? There’s a richness to the writing and the characters. Their lives are very deep-rooted in where they came from and how they got here. That’s what I’ve seen so far, but I don’t know what’s coming next. Every script I’ve read is very exciting, action-packed, emotional, connected, rich in character, and gives you a little bit of what you’re hoping for every week while simultaneously surprising you with some things you weren’t expecting.
KW: The Laz Alonso question: How can your fans help you?
MG: By supporting the show, by tuning in and telling their family and friends to tune in, too. By tweeting about it, re-tweeting about it, reposting about it. That would make a massive difference.
KW: The Pastor Alex Kendrick question: When do you feel the most content?
MG: Hmm… Either while I’m listening to music in the car, or when I’m praying, or when I’m at home relaxing on the couch, totally unplugged and watching a show with a glass of wine.
KW: Finally, what’s in your wallet?
MG: [Giggles] What is in my wallet? A picture of my family…credit cards… and three year-old gift cards to Victoria’s Secret from when I got married. That’s all I can think of off the top of my head!
Minority Report premiered September 21 and airs Mondays on FOX. Get updates on the series online at www.fox.com/minority-report or @Minority Report on Twitter. Find Meagan Good on Twitter at @MeaganGood.
Kam Williams welcomes reader comments to email@example.com. Find more interviews and reviews by Williams at www.kamwilliams.com.
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