Raphael Saadiq Credit: Sara Fish/First Avenue

With five solo albums and a career that spans three decades, Raphael Saadiqโ€™s place in modern soul music history is beyond solidified. His latest venture and fifth studio album โ€œJimmy Leeโ€ is deeply personal and draws upon memories of his older brother who died of a heroin overdose in the ’90s.

As with many of his releases, the album contains a fusion of multiple genres while fully entrenched in soul. The singer-songwriter presented this work and then some during a 90-minute set Saturday, Feb. 22 at First Avenue. Making effective use of each moment, Saadiq made it a point to pace himself by carefully introducing each song and setting the tone for the evening.

โ€œIt feels so good to be back in Minneapolis,โ€ he proclaimed as he entered the stage backed by a full band and a guitar strapped to his shoulder.

Letting the moment breathe, he also warmly recalled his early days in the Twin Cities as a member of Princeโ€™s famed โ€œParadeโ€ Tour before opening with โ€œIโ€™m Feeling Love,โ€ a track from his latest album. 

โ€œSomething Keeps Calling Me,โ€ the albumโ€™s lead single, soon followed keeping the audience on its feet while the artistโ€™s smooth vocals blanketed the atmosphere.

As the former front man of ’90s R&B group Tony! Toni! Tonรฉ!, Saadiqโ€™s body of work is rich with classics, all of which he was eager to play throughout his set to the delight of the audience. The group’s hits โ€œThatโ€™s All I Ask of You,โ€ โ€œJust Me and You,โ€ โ€œIt Never Rains,โ€ โ€œLetโ€™s Get Down,โ€ and โ€œAnniversaryโ€ were all sprinkled into the artistโ€™s show thus familiarizing the audience with the start of his storied career. โ€œMany people donโ€™t realize I was a part of the group Tony! Toni! Tonรฉ! and think I began my career as a solo artist,โ€ he shared with the audience between songs.

Opening act Jamila Woods Credit: Sara Fish/First Avenue

Saadiq, who also penned his share of classics for other artists including Dโ€™Angelo, Solange, and Erykah Badu, reminded the audience about his legacy as a songwriter and producer by performing a medley of their hits (โ€œLady,” โ€œCranes in the Sky,โ€ and โ€œLove of My Life,โ€ respectively)โ€”a quiet brag from an artist that many consider to be criminally underrated for his consistency and longevity.

In a moment of vulnerability, Saadiq allocated time during the show to speak about the memory of his late brother and the bond they shared over albums in his formative years in Oakland, California.

This vulnerability also prompted the artist to recall the time he spent working with Earth Wind and Fire, in particular lead vocalist Maurice White, who passed away in 2016.

โ€œI remember talking to Maurice White and asking him about some of the famous records they (Earth Wind and Fire) produced just to get his response,โ€ he fondly recalled. The fruits of their labor resulted in the groupโ€™s 2004 hit โ€œShow Me the Way.โ€

Saadiq then circled back around to perform selections from his own catalog of hits, including
โ€œGet Involved” and “Be Hereโ€ before closing out with 2002โ€™s โ€œStill Ray,โ€ which has garnered a new generation of listeners thanks to HBOโ€™s show โ€œInsecure.โ€

Jamila Woods, the showโ€™s opening act, provided a perfect balance of energy and soul during her 40-minute set, while DJ Duggz spun a variety of unique mixes.

Still, it was the artistry of Saadiq that took the audience on a voyage through time as he cemented his legacy as one of the most underappreciated artists in the era of modern soul.

Judging from his humility it is a crown he will proudly wear.

Marquis Taylor is a contributing writer at the Minnesota Spokesman-Recorder.