Film critic Dwight Brown gives Backrooms 3.5 stars, calling it a tightly woven psych-horror thriller that seduces audiences slowly before pulling the rug out with claustrophobic dread, cryptic dimensions and a colossal performance from Chiwetel Ejiofor.
film review
Posted inMovies
Earth, Wind & Fire documentary opens 2026 Tribeca Film Festival
Film critic Dwight Brown reviews the new Earth, Wind & Fire documentary directed by Questlove, finding a well-crafted but familiar music doc that shines brightest when it lets the music and the band members tell their own story.
Posted inMovies
The Devil Wears Prada 2
Film critic Dwight Brown reviews The Devil Wears Prada 2, finding a polished but redundant sequel that recaptures the original’s style without its shine, carried by strong chemistry but hampered by plodding direction and emotionally detached characters.
Posted inMovies
Review: Michael Is a Polished but Incomplete Portrait of a Singular Artist
Film critic Dwight Brown reviews Michael, the sanitized but entertaining biopic of Michael Jackson that highlights his singular talent, groundbreaking music and the family dynamics that shaped his rise to stardom.
Posted inMovies
Wicked: For GoodÂ
Wicked: For Good is a dazzling and emotional conclusion to the Wicked film duology. Cynthia Erivo and Ariana Grande deliver standout performances as Elphaba and Glinda, backed by Jon M. Chu’s visionary direction and sweeping production elements. The movie blends spectacle, heart and a surprising new twist that makes this chapter stand out from the original.
Posted inMovies
Highest 2 Lowest
Spike Lee’s Highest 2 Lowest reimagines a classic crime thriller with Denzel Washington, Jeffrey Wright, and A$AP Rocky. Uneven in tone but gripping in execution, the film delivers action, cultural resonance, and a standout second act.
Posted inMovies
28 Years Later
Danny Boyle’s 28 Years Later is a beautiful nightmare—packed with eerie images, primal moments, and a terrifying performance by Ralph Fiennes. It’s not perfect, but it’s unforgettable.
Posted inMovies
Bad Shabbos
Bad Shabbos serves up sharp laughs and unexpected twists — with Method Man stealing the show in this chaotic culture-clash indie comedy, reviewed by Dwight Brown.
Posted inMovies
Black Tea gets its NYC premiere at the 2025 New York African Film Festival
Though Black Tea dazzles with visuals and cultural insights, director Abderrahmane Sissako’s latest film struggles under too many characters and subplots.
Posted inMovies
The Brutalist
The Brutalist, directed by Brady Corbet, is a brilliant work of art that tells the story of a Jewish Hungarian architect who fled post-WWII Europe and built a community center in the Brutalist style, featuring impeccable detail and artistry.